For Whom the Bell Tolls
The priest steps down from the pulpit and the dead boy’s open grave, the bell’s bass voice singing the child’s death knell. The sky is changing the guard, the sun staring at the full moon, the clouds like blood-soaked gauze from the child’s wounds, the wind wailing as the storm approaches, the ground misting as if the gates of Hell itself were opening. The grave markers are like sentries, guiding the innocent soul on to Zion.
The priest is confronted by a man, whose footfalls are as quiet as the hallowed ground. The man lifts his cowl on a previously unnoticed serpentine staff, its tip hidden in the leaves of the tree of tears. The act reveals a gaunt man with a widow’s peak, crew cut hair, his eyes the color of blued steel, they are dead as the ore itself. “Hello, Father Rupert,” says the man.
The priest opens his mouth but is silenced by the bells’ roar. “For what purpose do the bells toll?” the priest screams.
“Ask not for whom the death bell tolls,” says the man Poe-tically. “It tolls for thee.” Lightning reinforces his point.
“Who are you?” cries the priest. The man laughs as lightning reveals the man’s true form. The flesh and hair fall from his body, leaving only two cold, dead, steel blue eyes. The serpentine staff becomes not a staff but a scythe; the blade with bored holes meets the black staff with a human skull. The priest flees. He falls into the child’s open grave, but is saved from broken neck by a hand of bone and tendon, held together by some unnatural yet holy force. “No, Father, this is not how you die, though it would be fitting for you to die by the hand of your victim.”
“Why?” begs the priest.
“You die because I say so, but I appear to you personally to assure punishment for your crimes. I am not the judge of your deeds and sins. This is just a step.”
“What are my crimes?” screams the priest, over the storm’s crescendo. The earth, the heavens above and even the bells themselves are crying out.
“Your crimes are many, like hypocrisy, but your gravest is taking a ten-year-old child in the confessional, where he confesses to a gay wet dream. You demand his penance be ten Hail Maries and two rosaries. To cure him of being gay, you say God must be put in him; you bend him over and violate him so hard, you draw blood. You tell him to pull up his bloody underwear and go home, since he is now healed. He dies on the threshold, in his mother’s arms, exsanguinated from a lacerated colon. Then you speak at his funeral, the one you caused. That is your crime for which I am here.”
“The Bible says homosexuality is a sin,” pleads the priest to the Grim Reaper.
“That book may have been written by God but it was edited by man,” says Death. “In your books it says pride is a sin, yet your ‘holiest’ man claims to be infallible on all matters of God. Isn’t that a prideful thing to say? But I digress.” With a swish, the scythe whistles and sings hungrily toward the priest. The blade gorges itself viciously, sliding though bone and muscle, from pelvis to skull, yet touches no flesh. The True Servant of God bends down and snakes his hand into the still chest and pulls out not heart but soul. In a flash, a collar of spikes and blades bite deep into the soul’s neck, and the soul descends into the very bowels of Hell. The body steams, found on the morrow, the blood on his pants linking him to the child’s grave a foot away.