MicroHorror

July 23, 2008

The Heart Snatcher

She was immensely proud of the pottery she had found near the Navajo Indian reservation.

It went perfect in her new Santa Fe-style house in Rio Rancho, New Mexico, and people would visit and ask her about it.

“Stacey, that is amazing. Where did you get that?” they would ask upon seeing it on her shelf in her spacious living room.

And it was perfectly understandable to inquire about.

It was centuries old, nearly perfect with a few nicks and minor cracks but other than that it was perfect.

To make it even more alluring were the petroglyph-like drawings of what appeared to be a mother holding the hand of a child, and in the background were buffalo and deer.

“We’re not supposed to remove these things from Anasazi ruins because it’s against the law but I had to get this because it was perfect,” Stacey would say.

Her younger son, Jeff, was a typical 14-year-old boy who hadn’t grown fond of things like that.

Much less had he learned any appreciation of the Native American cultures in New Mexico. It just wasn’t important.

And then one day Stacey was sitting in her living room looking at the pot when she remembered the Navajo sheepherders who were there with her that day when she found the pot.

“Don’t take those. They belong with the dead. Us Navajo stay away from those things,” they were telling her.

Of course she asked the typical white man question of why.

“Because they’re gone and their lives on this Earth are broken. If you take these home with you your life will break or much worse.”

She paid no heed to the superstitions and the warnings and took it home anyway.

And as she sat there that day looking at the sensual, heartwarming scene of the mother holding the child’s hand she noticed another figure beside the child. It was a light inky type of spot then it became a child shape.

She was horrified and ran to her son’s bedroom to tell him about it.

He wasn’t there.

She searched all over the house, called his friends, and drove around the neighborhood looking for him.

Nothing.

Then she realized that maybe he was the one on the pot. Horrifying as it was it made sense.

That night she dozed off after a tremendous cry and dreamed of an old Indian lady talking to her in her living room.

“You must take it back then I’ll give you your son back. I made that pot for my child long ago after he died. I put his heart in it and I could see him still when I looked in it. Please bring it back or you’ll become twisted and your son will stay lost.”

Stacey woke and realized that she could get Jeff back anytime she wanted.

“We’ll give it a week,” she figured.

The boy was a burden to her and she never loved his father in the first place. Now he was an irritating liability who had turned on her.

“Let him learn a lesson from this,” she laughed.

And at the end of the week she thought about it once more.

Life was so much easier and free now without the ungrateful son of a bitch.

Suddenly she felt a tug in her chest. Feeling her pulse she discovered there was none.

She raced to the pot and looked in it.

Her heart was beating in it then it began to disappear.

As horror raced in suddenly she began to laugh.

“Oh, to hell with them all,” she hissed and left to go to a bar with a friend.

“That pot is worth more than him and all them Indian traditions.”

July 10, 2008

The Old Painting at the Crack Head Motel

He began painting.

Hoping to get something accomplished for the day.

But then there was no inspiration, just a dry antagonizing spell that wafted over his mind.

He tried reading through some old magazines hoping to find something that would take his imagination to the “juicy” parts of his mind where great works began and would trickle lightspeed to his fingers propelling a paintbrush to culmination.

Nothing.

It was at times like these he would think of his life and all the failures crammed into its history.

“Don’t go there,” he suddenly thought.

“Not the divorce. Hell no, not that.”

But it wouldn’t go away now.

He saw her.

Jennifer.

His wife from a better time.

And in his most profound disappointing paths of logic his daughter’s face appeared.

The last he had heard of them was a couple of months before.

Jennifer was remarried and his daughter was in school doing good.

And he was living in a rundown motel along Central Avenue where crack fiends and drunks waged their campaigns to satiate addiction.

He got up and began pacing.

And then the phone rang.

“Hello,” he answered.

After several minutes he put the phone back down and sat on the bed.

His former family had been in an accident, his mom had told him.

Jennifer and his daughter were gone.

There were no tears though.

He stood again and suddenly felt a surge of freedom and inspiration.

In his wallet was an old photograph of his family.

Immediately he set to work and all through the next day he painted them.

However, early in the morning as he worked frantically drawing nearer and nearer to completion he heard a knock at the door.

“Probably some goddamned crack head,” he remarked getting up to answer the door.

As he opened he shrieked.

Jennifer and his daughter were standing in front of him.

Days later the motel landlord came to collect and after knocking and tapping the window to his room the landlord let himself in.

There was no one in the room.

Only a painting of the former tenant and his family.

All smiles and unusually out of place given the nature of the rundown place.

The landlord fell head over heels for the painting and took it as payment.

However, over the years he never saw the former tenant again.

But he was horrified to see the painting take on a life of its own.

Sometimes his former tenant wouldn’t be in the picture but the next day he would reappear.

Even more terrifying was the entire family would disappear for minutes at a time but then reappear as if nothing had happened.

Realizing that he had a one-of-a-kind painting, the likes of which he had never heard of or anyone for that matter, the landlord kept it and it became the star attraction to anyone wanting to stay at his rundown, crack head motel on Central Avenue.

Of course with the money people paid to come and see it, he fixed up the place and lived happily ever after.

And the painter, well, he achieved the one thing he had wished his paintings would do: get his family back forever.



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